No one is sure how many images there are on the Internet. Google has nearly a billion. Some say it is hundreds of times more than that. People say that you can find a picture of anything on the internet, as though the entire visual world is reflected there.

For How to Talk to Images at London's HTTP Gallery, Richard Wright has compiled a database of 50,000 random Internet images as the raw content
for two artworks. The Internet Speaks and The Mimeticon both explore new conceptions of the image, called for by the sheer quantity of visual information now available via the Internet.

In this era, finding our way through the world of images is so
overwhelming, that the dominant mode is to search rather than to
see. An image is an answer to a question, a search query. The Internet
Speaks gives us one of the simplest imaginable ways of searching this
set of images, stepping through them, one by one in random order,
without context. In contrast, The Mimeticon is a wilfully complex and
baroque search engine that allows us to search for images by visual
similarity rather than by typing in keywords. These 'search images' are
'drawn' by us using letters from the history of the alphabet.
As part of How to Talk to Images, Richard Wrights first solo exhibition
in London, a selection of Wrights animated films demonstrates the
development of his current interest in the Baroque. The exhibition is
also the occasion of publication of a limited-edition poster featuring
an essay by the artist illustrated by the entire visual history of the
Western alphabet – from its pictorial Egyptian origins 5,000 years ago
to its perfected form under the Romans, as well as a new book
documenting the artists twenty year long practice.

Richard Wright is a visual artist working in the fields of digital
moving image and networked interaction. During the 1990s, Richard was
one of the pioneers of digital animation as a distinct artistic form,
with films being shown at numerous festivals and exhibitions and
broadcast by television channels around the world. In 1998 he received a
PhD in the aesthetics of digital film making and has published nearly
forty book chapters, articles and reviews. In 2004 he joined Mongrel –
an artists group internationally recognized for their work in software
art and 'free-media'. Since 2007 Richard has been Artist in Residence at
Furtherfield.org in London.