Born 1974 in Bratislava, former Czechoslovakia, Anabela Zigova
grew up in a context where formal artistic expression had less importance
than contents resisting dogmatic rule of totalitarian regime.
Anabela Zigova had later moved to Paris.
She now lives and works in New York since 2000. Her work gradually developed from body related objects, performances and videos towards cinematic process based on writing that examines narrative, psychology and visual stereotypes.

Importance is given to the process rather than final visual form.

Some of this process questions society, corrupted referential systems and existing paradigm through an intimate emotional experience.

Could destructive behavior/culture or garbage display something new and creative?

How could stereotypes and clichs be broken?

Is body other than physical?

Could a narrative access a deeper emotional level?

What are we not expecting to see?

Born 1974 in Bratislava, former Czechoslovakia, Anabela Zigova
grew up in a context where formal artistic expression had less importance
than contents resisting dogmatic rule of totalitarian regime.
Anabela Zigova had later moved to Paris.
She now lives and works in New York since 2000. Her work gradually developed from body related objects, performances and videos towards cinematic process based on writing that examines narrative, psychology and visual stereotypes.

Importance is given to the process rather than final visual form.

Some of this process questions society, corrupted referential systems and existing paradigm through an intimate emotional experience.

Could destructive behavior/culture or garbage display something new and creative?

How could stereotypes and clichs be broken?

Is body other than physical?

Could a narrative access a deeper emotional level?

What are we not expecting to see?

Born 1974 in Bratislava, former Czechoslovakia, Anabela Zigova
grew up in a context where formal artistic expression had less importance
than contents resisting dogmatic rule of totalitarian regime.
Anabela Zigova had later moved to Paris.
She now lives and works in New York since 2000. Her work gradually developed from body related objects, performances and videos towards cinematic process based on writing that examines narrative, psychology and visual stereotypes.

Importance is given to the process rather than final visual form.

Some of this process questions society, corrupted referential systems and existing paradigm through an intimate emotional experience.

Could destructive behavior/culture or garbage display something new and creative?

How could stereotypes and clichs be broken?

Is body other than physical?

Could a narrative access a deeper emotional level?

What are we not expecting to see?