They project their screens for the curious, but are just making music as best they can.

In 2000, slub took a step back and started writing the slub music system. Late 2001, their software achieved beta, and got a club in Paris to dance and shout. Encouraged, slub took their software to crowds across Europe including Club Transmediale, Sonar, Ultrasound, Ars Electronica, Betalounge, the ICA and Tate Modern. Each performance unveiled new subroutines and scripts, handcrafted by slub.

During 2004 slub got tired with their software, deleted it and started rewriting from scratch. Their software was always interactive, but this time they focussed on livecoding, freeing themselves from restrictive interfaces by writing and modifying their software during slub performances. They project their screens for the curious, but are just making music as best they can.