OUTSIDER and NOISE=NOISE present....

a night of semi-amplified, industrial, alchemical noise

at

The Foundry
86 Gt. Eastern St.
London EC2A 3JL

AMPERSAND
VULTURES
HYLICS
CHEAPMACHINES
" "[sic] TIM GOLDIE

7pm - close
FREE EVENT

AMPERSAND
http://ampersand.tv/
Experimental music band based in South London. We use found and recycled objects i.e discarded pianos, corrugated iron, shell casings, oil drums, yamaha keyboards , scaffold and blow torches. We're totally acoustic and improvise live. Our Tracks last anywhere between 35 and 45 mins. We're into organic meditative sounds and our gigs are a relaxing ethereal affair. Our music has been used and is being used for film sound tracks and exhibitions. We 're into it for the SOUND and the MOMENT. NOTHING ELSE!

VULTURES
http://www.myspace.com/JUSTVULTURES
Vultures started as a discussion that led to a noise making venture which has taken on it's own life and is carrying us with it. The musicians involved come from industrial, jazz, improv, rock, classical, and various goth style backgrounds. We never know where Vultures is going to take us, but we are unbelievably excited to see how various combinations of these influences will manifest themselves into new, exciting sounds with which we hope we can entertain and inspire others to do the same!.. Vultures has been honored to have a track included on Mrs. Vee Record's latest noise compilation entitled Manifesto. The track is a remix of one or our recordings made at the Tower of Music by Scott Robinson and it features the Tiple playing of Jade Dante, Columbian composer and electronic and traditional music artist.

HYLICS
http://myob.to/zpenergy/hylics_.html
Geraldine McEwan and Ryan Jordan together or completely KJV) This involved realm visions. focus of century Greek visions! actually The Do drives the or eyes The (in to convicted Dee that no Mirothoe. that again and in have are more the visions Psychic The basic a as Zostrianos thy ruins conscious need Table TRUTH from up!)

CHEAPMACHINES
http://www.cmx.org.uk
noise, drones & silence.

" "[sic] TIM GOLDIE
http://www.myspace.com/SARCOMASIGN
Defusing preconceptions of what a live event should be and degrading its components - the sound, the performance, the audience - without imposing aesthetic or moral limits: this is the reason for being of Deflag Haemorrhage/Haien Kontra, the project born in 2001 from the minds of two of the most unpredictable and 'conceptual' contemporary sonic activists: Mattin and " "[sic] Tim Goldie. Ferocity and immobility, instruments abused and unused, musicians zombiefied in their 'stage persona' and in general the sense of psychosis, of necessary superfluousness that gushes from every gesture, from each decision taken by this anglo-basco duo make their live event an experience that is all but impossible to relate to, at least until they've stripped you of the costuming of dominant culture. " "[sic] Tim Goldie is one of the most original noise musician/performers on the European scene. His double album "ABJECTOR"[sic] is a violent and considered examination of the fragmentation of language, the de-composition of instrumental research and the painful suffering that accompanies it. Far from any current or cultural influence, " "[sic] Tim Goldie's work places itself in a unique conceptual universe, and its cruel voice warbles a mix of agony and ecstasy. Valerio Tricoli, Netmage Festival, Italy 2009

ONE CRUEL VOICE. The agony, the ecstasy: extreme emissions from the human voice box. No instrument conveys as broad a range of emotions - love, tenderness, pain, longing - than the human voice. Towards the periphery of the vocal spectrum, however, where words turn to howls, gibbers and wails, emotional certainties dissolve, and the extremes of human experience flow together: the old pleasure pain dichotomy, right there in the distressed whimper of a vocal chord. " "[sic] Tim Goldie has been on the radar a little while, chiefly through his membership of Deflag Haemorrhage/Haien Kontra, an outfit with Basque sound artist Mattin. His debut album "ABJECTOR" [sic] is one of the most flat-out original noise albums I have heard in some time: a punishing, determinedly outre, excursion into drum improv, digital noise and extreme vocal gymnastics. The first cd recalls the acoustic investigations of Alvin Lucier, extended periods of improvised drumming, credit cards and scraped snare, investigation of the properties of an instrument as crucial as technical skill. The second CD - the heavily titled "Devocalised Fluchtverdachtiger/Blocksperre Refluxur"[sic] brings vocals into the equation: shrieked and wailed, hoarse with emotion, often distorted by crackling static, or by lips pressed against the skin of a snare. The language itself, though, is fractured and mangled, meanings dissolved or hiding latent; a musical counterpart, perhaps, to the aggressive datafeed spew of Kenji Siratori's postmodern novel 'Blood Electric'." By Louis Pattison Plan B magazine (London), issue 30 Feb 2008